Sara Bareilles Star Files View Comments Sara Bareilles(Photo by Caitlin McNaney) Sara Bareilles, who has penned the upcoming Broadway musical Waitress, has a new stage project lined up…The SpongeBob Musical! It’s also been announced that Yolanda Adams and Alex Ebert of Edward Sharpe & The Magnetic Zeros have joined the previously reported roster of artists who will contribute songs to the show. Co-conceived and directed by Tina Landau, with a book by Kyle Jarrow and music supervision by Tom Kitt, the Main Stem-aimed production will make its world premiere on June 7 at Broadway in Chicago’s Oriental Theatre.The end is near. Only one sponge can save the day. But he’s going to need help from some of the greatest songwriters in rock and pop music history. The production will also feature work from artists including including David Bowie and Aerosmith’s Steven Tyler and Joe Perry, Jonathan Coulton, Dirty Projectors, The Flaming Lips, John Legend, Lady Antebellum, Cyndi Lauper, Panic! At the Disco, Plain White T’s, They Might Be Giants and T.I.The characters will be human and are not set to don puppet type outfits as seen in Times Square. “The DNA is the same but the form is so radically different, we’re not approaching it literally,” Landau told EW. “We’re not trying to take the cartoon and put it onstage. We’re trying to create a live theatrical event.”Ethan Slater, Lilli Cooper, Gavin Lee, Nick Blaemire, Danny Skinner and more will appear in the Chicago incarnation of the show, which will run through July 3.
Sign up for our COVID-19 newsletter to stay up-to-date on the latest coronavirus news throughout New York By Kate NalepinskiCounting Crows, the indie-rock band from the San Francisco Bay area, most notable for their hits, “Mr. Jones” and “Accidentally in Love,” are still going strong after 25 years. Before their upcoming performance at Nikon at Jones Beach Theater on Sunday, July 31, the Press spoke with Adam Duritz, the Counting Crows frontman. He talked about his deep love of music radio, “making it” in the music scene, tiny cardigans, Van Gogh and the hipster agenda.Long Island Press: A major part of your band is the fan culture that follows you. They’re so interested in exchanging live recordings with other fans that you made it a key element on your website. Why is this so important to fans?Adam Duritz: Because they’re exchanging them, it’s clearly important to them. Also, around the corner from where I’m sitting, there’s an entire wall of bootlegs that I have from other bands. If you love music, you can buy a band’s record. But there’s only so many of them, and once you got those, there’s nothing left. But my recordings are out there, and if you’re a band, your mission is to find more of those. I know how much I love that stuff, so I assume our fans do, too. I have an entire wall of other bands’ live recordings. And that stuff can’t harm you. If you’re good live, I think it’s a good advertisement for a live show.LIP: You guys are most notable for your improvisation during your concerts. Each show varies. Do you think this furthers your appreciation of what you do?AD: Yeah, and I also think it stops us from hating it. If you’re going to do something for 25 years, several hundred times, you wouldn’t want to do it the exact same way or you’ll hate it. And I don’t want to start to hate my songs because I really love them. But if they were all wrapped up in some obligatory package, where I had to play the same songs every night…There’s just no way I would love it. And I realized that early on. On the very first tour, I thought to myself, ‘I want to do this forever, but I know there’s no way I’m going to want to do it the exact same way forever.’ And then we started changing things up every time, from the beginning… I mean, you don’t ever come to a Counting Crows show where we’re phoning it in because we’re bored and we don’t want to play those songs that night. The truth is, if we don’t want to play those songs that night, we won’t play them. Since we’re doing exactly what we want to do, we’re totally into it every night.LIP: What do you remember about the last time you played on Long Island?AD: I think it was just last year. We played at The Paramount in Huntington, so it was recent. I don’t remember a great deal, but I’ll tell you what I do remember: Three or four years ago when we were at The Paramount, Mean Creek was opening for us, and we found a small sweater backstage. It was this small girl’s cardigan. And at first I thought it was Aurora’s, [Mean Creek’s guitarist] so I brought it to her, but it wasn’t hers. Then Sam, our drum exec, claimed it was his. He took his shirt off and he put on this tiny girl’s cardigan and pranced around the back of the stage. Every time I’m in The Paramount, I get this horrible memory of Sam, this bulky guy with a huge beard, in a little girl’s cardigan.LIP: You are credited with writing all the lyrics to the tracks on Somewhere Under Wonderland, your most recent album, which was released in 2014. Where do you find your inspiration?AD: Somewhere in my head. [He laughs.] It’s just all about how I feel. All true stories, in that it’s how I feel, but it’s not like they’re diary excerpts about exactly what happened. They’re often some combination of something that happened with what I’m feeling… None of the stuff on this album is stuff that actually happened. It’s more fiction based around real feelings.LIP: Has being from the San Francisco Bay area influenced your sound? Do you think it contributes to your improvisation?AD: Oh, I don’t know that anyone else was doing it. I guess the Grateful Dead were, but this is a different thing. Maybe the most important part, actually… When I was a kid growing up in the Bay area—and I know if you ask some other guys in the band from that area it’s the same story, this is something we all shared, whether we knew it at the time or not—there was a radio station called KSAM. It was the original, free-form, FM radio station. They played the [Rolling] Stones, followed by the Sex Pistols, P-Funk [Parliament-Fundadelic], followed by Miles Davis, followed by Elvis Costello, George Jones. They played every kind of music imaginable. So, for me, I grew up thinking rock and roll was just rock and roll. Music was just music. There wasn’t punk, alternative, classic rock, modern rock, jazz…It was just music. It broke my heart when I found out that there wasn’t anything like KSAM anymore… We grew up listening to music…just music. It was never “right” or “wrong” or “bad” or “cool.” Just music. I think that had an effect on a lot of the things we play.LIP: Do you feel like this generation is different because they label themselves with certain genres to keep up or be hip?AD: Ever since the days of Lester Bangs—a great writer about music—he loved music, but he also hated some music. And as much as he’d write a story about how he loved Van Morrison, he would write a story destroying James Taylor. While he was very knowledgeable about music, a lot of today’s music journalism has become about what sucks… Musicians really aren’t that way at all. Musicians just tend to like music. But a big part of fandoms and journalism, to me, is the idea of what is cool and uncool. After a while, if you’re all just wearing flannel and Doc Martens, you’re not Kurt Cobain! It doesn’t make you cool ’cause you’re dressing like that. And I saw Nirvana live. They’re fucking amazing, but it used to blow my mind that writers would talk about the latest fucking guy in flannel and Docs being cool, when he’s completely copying someone else’s thing! It’s repetitive. I guess a big part of journalism is making everyone cool. I mean, now we’re in that “reversed” part… Now, hipsters are uncool, and we call someone a hipster when they’re a dip-shit… By the way, there’s no quicker way of doing something than to have everyone doing it.LIP: Are there any misperceptions about Counting Crows that you’d like to clear up?AD: No! I’m sure there are millions of misperceptions, but I just don’t care. Whatever. It doesn’t matter. I’m sure people think we suck, which isn’t true since we’re amazing, but whatever. The records are all there. If you really want to figure something out about us, listen to our records. A bunch of the misperceptions is just people who listen to other people who tell them something and they believe it. I mean, if you listen to someone else that easily, you certainly aren’t going to be convinced by me. Nor am I interested in convincing you. People are going to say stuff about you—they’re going to say things about you—things that just aren’t you. They’re going to make something up because they don’t know you. But that’s life. There’s nothing you can do. It’s just part of being famous.LIP: Is ignoring what other people say the best way of staying true to yourself? Or are you going to change naturally because of fame’s influence?AD: Neither. I’m very interested in reading criticism of us. That doesn’t mean I think they’re right. It’s actually rewarding for someone to put so much thought into your art—I appreciate that. But by the time you’re reading about someone critiquing your work, that work is done, so it can’t affect it. To me, we’ve always done what we wanted to do… We’ve never worried about avoiding failures; we just do the things we love. Just go do the things you love… I think no one actually knows how to be successful. If you got yourself here just by doing what interests you, you should continue like that. I mean, if you listen to someone tell you how to be successful, it’s always what they did last time. Truth is, nothing is ever going to be successful in art. You should always just do the art for yourself… Van Gogh didn’t sell an entire painting in his entire lifetime. And his paintings are more expensive now than [almost] anyone else’s! So, at some point, he could have decided not to [paint]—go make shoes or something. But no one knows how to be successful, or what will [succeed in art]. It’s hard to see it as anything other than luck.LIP: Do you feel like you’ve “made it”? AD: The moment you do something you like. I don’t know what making it would even be. There’s a level we’re at that’s rare. There are plenty of bands that are more successful than us—Bob Dylan, The Stones, REM—but I’m not sure any of that has to do with making it. Take Alex Shulton—who’s a star now—but at the time, he was in a failed indie band. Did he make it? I don’t know what making it is. I mean, Van Gogh, like I said. That makes him the biggest failed indie band ever! Very early on in our career we played the Rock and Roll Hall of Fame ceremonies. I think we’re the only unknown band ever to play there. We played for Van Morrison because he didn’t want to come. So I started my career at the Rock and Roll Hall of Fame instead of ending it there, which is what you usually do. At the time, I was like, ‘Oh, this is what we’re destined for later!’ Now, I know we’re not going to get there, and I don’t care. First of all, we were all right there. [Laughs.] Second of all, I’m not sure the people who make those decisions, I don’t know if their opinions are important to me. I’m not sure anyone’s is, except for mine, or my friends, or my peers. I don’t know what “making it” is, but I think we made it.LIP: Why did you choose to go down the music path?AD: My mom hated this answer, but another reporter asked me once what I would be if I wasn’t in a band, and I said unemployed. I am a musician. When I was a kid, I didn’t know what I was wanted to do. When I was 18, I cut class one day and wrote a song. And every day after that, I sat at a piano and wrote a song. The moment I wrote that first song, it was like I mutated into something different. Like, I was a songwriter. Before that, I was a kid who didn’t know who I was. And I’ve always been a songwriter since. And it had been a while since I had any monetary success with that. But before any of my friends knew what I wanted to be in life, I knew I was a songwriter. I was ahead of them there, and then I kind of fell behind them when they all got jobs…But I leaped ahead when I became a rock star. Then I fell behind when they had kids and families. But, anyway, from that moment on, I knew I was a songwriter… I just do it because it’s who I am.LIP: Do you ever think about what your life would be like if you weren’t involved in music?AD: Yeah. Part of the fallout of having the success that I do have means there are other areas in my life that I left unattended. Relationships, families, those were things I didn’t have. Maybe I would have moved toward that earlier if it was a priority. But then, maybe I wouldn’t have done this. I think most about the relationships I would have had if I had forced myself to prioritize back then, more than in terms of jobs. But then again, I wouldn’t be here now.
Donegal TD Pearse Doherty has called on the Government to clarify details of discussions with the European Commission over the location of custom checks in Ireland.The call comes as the government plans to enter negotiations with the European Commission to discuss where cross-border trade checkpoints will be located in the event of a no-deal Brexit.But such a move would be ‘a retrograde step for the country and the peace process’, warns Sinn Féin’s Pearse Doherty. He said: “Any imposition of custom checks is a backward step for this country. The fact that such political vandalism is now being discussed is proof that the interests of the British Government and the peace process are now irreconcilable.“The Tánaiste should not be forced to choose between the single market and the Good Friday Agreement. Any impediment to trade and movement on this island will damage Border communities, harm the economy and undermine the architecture of the Good Friday Agreement.”Deputy Doherty said the government must clarify what checks they are discussing with the Commission and what their purpose will be.He added: “Ultimately, the only sustainable solution to this problem is the removal of the border. While the Government may not want to face up to the fact now, it is incumbent on everyone who cares about the future of this island to plan for its ultimate reconciliation.” Customs checks are ‘political vandalism’ to the Good Friday Agreement – Doherty TD was last modified: September 5th, 2019 by Rachel McLaughlinShare this:Click to share on Facebook (Opens in new window)Click to share on Twitter (Opens in new window)Click to share on LinkedIn (Opens in new window)Click to share on Reddit (Opens in new window)Click to share on Pocket (Opens in new window)Click to share on Telegram (Opens in new window)Click to share on WhatsApp (Opens in new window)Click to share on Skype (Opens in new window)Click to print (Opens in new window)
OAKLAND — Chad Pinder led off the ninth inning with a single and Ramon Laureano placed a ground ball perfectly enough to force White Sox shortstop Jose Rondon into a throwing error to score Pinder for a walk-off 3-2, series-sweeping victory on Sunday afternoon in Oakland. The A’s have won 10 of their last 12 games and are 12 games above .500.The walk-off Gatorade bath must have felt extra refreshing following a tense eighth that left the score tied 2-2. That inning began with Matt Chapman …
Thata Ubeke Manufacturing won both the Black Industrialist and Manufacturer Awards at the fifth annual South African Premier Business Awards.Nana Sabelo’s company Thata Ubeke Manufacturing (Pty) Ltd wins the Manufacturer Award and the Black Industrialist Award of the 5th annual South African Premier Business Awards. Here she is with her COO, Thuthu Khumalo. (Image: Melissa Javan)Johannesburg, 31 January 2018 – A Boksburg-based company in Gauteng scored a double when it scooped two awards at the fifth edition of the South African Premier Business Awards.Winners were announced at the awards ceremony that was hosted by the Department of Trade and Industry (the dti) in partnership with Brand South Africa and Proudly South African at the Sandton Convention Centre on Tuesday night 30 January 2018 under the theme Rewarding Business Excellence.According to the Minister of Trade and Industry, Dr Rob Davies the awards recognise and reward the contribution of the country’s companies in growing and transforming the South African economy.Thata Ubeke Manufacturing which manufactures electrical and electronic sub-systems for the domestic and export markets romped home with the Black Industrialist and Manufacturer Awards.It was for the second time in a row that the company won the Black Industrialist Award. The award is for companies with a high level of black South African ownership and operate in a manufacturing sector identified in the Industrial Policy Action Plan (IPAP) as key for the growth of the SA economy.The Manufacturer Award recognises enterprises or organisations that demonstrate efforts to achieve world-class manufacturing standards and manufacturers that produce innovative products.“This year the South African Premier Business Awards acknowledge the Black Industrialist Award as its prestigious main category. In doing so, government is demonstrating its commitment to supporting and increasing the participation of black people in the industrial space,” said Minister Davies.Sumitomo Rubber South Africa, a tyre manufacturing company, also won two awards at the ceremony, namely the Enterprise Development Award and Investor Award.The Chief Executive Officer (CEO) of Brand South Africa, Dr Kingsley Makhubela said: “We are very proud to have successfully awarded businesses that are contributing positively to the economy and the various communities.“These businesses truly understand the importance of making positive strides to the contribution of South Africa’s global competitiveness. Congratulations to all the winners,” said Makhubela.The CEO of Proudly South African, Mr Eustace Mashimbye said: “Apart from our own Proudly South African prize we are delighted to see another member company amongst the winners. We acknowledge all the companies that fly our flag and work to build local procurement levels, in so doing creating jobs. We congratulate all the entrants and especially the winners.”The awards were sponsored by Old Mutual, Tsogo Sun, Wits Business School and the Johannesburg Stock Exchange.List of winnersBlack Industrialist AwardThata Ubeke Manufacturing (Pty) LtdEnterprise Development AwardSumitomo Rubber South AfricaExporter AwardAerosud Aviation (Pty) LtdInvestor AwardSumitomo Rubbers South AfricaManufacturer AwardThata Ubeke Manufacturing (Pty) LtdPlay Your Part AwardClover Mama Afrika TrustProudly South African Member Company AwardLa Van Skin and Body Excellence SystemSMME AwardMemeza Shout (PTY) LtdWomen-Owned Business AwardBBD Steel SuppliesYoung Entrepreneur AwardGridbow Engineers and Technical ServicesWould you like to use this article in your publication or on your website? See Using Brand South Africa material.
Very attractive and good and large for my thick hair. Excellent clip for thick hair. . I have struggled to find a hair clip that would hold my thick and long hair up, but finally this one is perfect. My hair doesn’t slip or come undone. I highly recommend this brand. Hair clips for thick hair at previous. Definitely speedy supply & beautifully packaged, in tissue paper in just a good box and truly properly padded. Absolutely far more than i ordinarily devote on hair clips, but fed up with cheaper kinds snapping mainly because of my thick hair. Properly styled and secures a whole lot of my hair.The clip is delivered in excellent packaging – beautifully wrapped and def of present quality Hair Clips for Thick Hair at Last!Beautifully packaged! Is a very good clip if your Thank you, ebuni for a fine product, fast shipment and nice packaging (bought this as a gift, so the packaging was perfect). The barrette is very well made and the red tartan print is so pretty and will be easy to wear (goes well with any hair color, dress and occasion). Is a really great clip if your. Is a very excellent clip if your hair is thick, i have found that other clips are likely to spring open on thick hair, but this clip isn’t going to do that. It may perhaps appear expensive but it really is truly worth the cash in my e-book.Features of Ebuni | Large Curved French Rectangle Barrette for thick hair (Red (Tartan))Made in FranceStrong plastic with a glossy finishQuality steel barrette clipColour: Red with Tartan PatternApprox Size: 10cm x 3.5cm Barrette Clip: 6cm (hinge to clasp) 2cm deepFantastic clip and really fairly. Couldn’t reccomend this more than enough, amazing clip and quite quite, retains my very thick curly hair wonderful.Is a really great clip if your. Is a very excellent clip if your hair is thick, i have found that other clips are likely to spring open on thick hair, but this clip isn’t going to do that. It may perhaps appear expensive but it really is truly worth the cash in my e-book. Absolutely great for my hair which is thick. Would make a great gift as it arrived beautifully packaged in a box. Great service and product. . Beautifully presented and packed. Large enough gif my long thick. Large enough gif my long thick hair. Very impressed with the clip. This barrette looks smart and really does hold my very thick hair back. Sadly, for my amount of hair it didn’t do the job, even though i only took less hair to clip. Would recommend for really fine hair. Very impressed with the clip. Large enough gif my long thick. Large enough gif my long thick hair. Great service and product. . Beautifully presented and packed. Thank you, ebuni for a fine product, fast shipment and nice packaging (bought this as a gift, so the packaging was perfect). The barrette is very well made and the red tartan print is so pretty and will be easy to wear (goes well with any hair color, dress and occasion). Sadly, for my amount of hair it didn’t do the job, even though i only took less hair to clip. Would recommend for really fine hair. The clip is delivered in excellent packaging – beautifully wrapped and def of present quality. The clip is delivered in excellent packaging – beautifully wrapped and def of present quality presentation. The clip is pretty but the clasp itself is light and flimsy. I am wearing already and it takes a good quantity of hair. I would not pay the same for the product again. Five stars for the packaging though. The clip is delivered in excellent packaging – beautifully wrapped and def of present quality. The clip is delivered in excellent packaging – beautifully wrapped and def of present quality presentation. The clip is pretty but the clasp itself is light and flimsy. I am wearing already and it takes a good quantity of hair. I would not pay the same for the product again. Five stars for the packaging though. Nice slide for thick hair. . Nice neutral good quality slide but it lacked that extra non slip piece which holds hair securely. Very nice, a bit pricey, but i needed a big clip for my thick long hair & couldnt find one any where. Fits my thick hair well and looks great. SummaryReviewer Nathalie DuboisReview Date2017-11-19 01:04:30Reviewed Item Ebuni | Large Curved French Rectangle Barrette for thick hair (Red (Tartan))Rating 5.0 / 5 stars, based on 22 reviews Posted on November 19, 2017Author Nathalie DuboisCategories Clips & BarrettesTags Ebuni
Share Facebook Twitter Google + LinkedIn Pinterest Warmer than normal weather early in the week helped push crop maturity, according to Cheryl Turner, State Statistician, USDA NASS, Ohio Field Office. There were 5.7 days suitable for fieldwork during the week ending October 6. Most locales saw temperatures in the high 80s or low 90s which was much warmer than normal. This warmth was welcomed given the lack of crop maturity. Farmers kept an eye on the forecast and hoped for a later than normal killing frost as late planted corn and soybeans was still immature relative to normal. Some growers harvested their earliest planted corn and soybeans. Moisture levels were reported to be high. Corn silage was also harvested. The winter wheat crop was being planted much more quickly than normal due in large part to fields being available because they were not planted to other commodities this year. Pasture conditions were highly variable across the State. In the northern and central parts of the State, adequate rainfall was beneficial, while lack of rainfall in the southern part of the State was negatively affecting pastures and hay regrowth. Read the full report here.
Why Tech Companies Need Simpler Terms of Servic… Said Open Source for America’s David Thomas, “Technologies enabled by software freedoms can help make government IT deployment more secure, more cost-effective, faster to deploy, with greater privacy and the ability to help eliminate vendor lock-in.”Nevertheless, lobbying will be no easy feat as smaller open source companies will have to jockey for position against Microsoft during requests for proposals. Furthermore, in the past government officials have expressed security concerns with open source code. Critics argue that exposed source code can be examined by attackers and therefore poses a risk. Nevertheless, another argument for exposed code can be made in ensuring security. By moving away from proprietary software models and giving free access to a system’s source code, governments are no longer dependent on a select few contractors for their defense. Instead, an entire programming community can be deployed to defend against attacks. One of the government’s key open source projects is actually with the National Security Agency. The agency already employs open source technologies to address multi-level security on government machines through SELinux. SELinux was first released as a modified version of the Linux operating system and has since taken on a life of its own as the NSA works with open source contractors to continue to tweak security. While Linux users were at first suspicious that the NSA might be using the code base to spy on their machines, no back doors were detected in the software. Today, thousands of government employees and Linux users protect their machines using SELinux. More than 70 major companies, academic institutions and high profile technologists have launched a campaign to educate US government agencies about the benefits of open source technology. Announced earlier at the O’Reilly Open Source Convention, groups such as Google, RedHat, Novell, Linux, Mozilla, Sun Microsystems and the Electronic Frontiers Foundation have teamed up to create Open Source For America. The joint effort is a coalition aimed at lobbying the US Federal government to consider using open-source software over proprietary code. O’Reilly Media CEO Tim O’Reilly and Executive Director of the Linux Foundation Jim Zemlin are just some of the board advisors. dana oshiro Top Reasons to Go With Managed WordPress Hosting 8 Best WordPress Hosting Solutions on the Market Related Posts A Web Developer’s New Best Friend is the AI Wai… Tags:#news#web Another successful open source government project is Sunlight Labs’ Apps for America. In its first year, the project proved a resounding success in displaying how open source government efforts increases accountability and collective solutions. Apps for America yielded a number of great user-generated projects including call Congress Firefox plug-in and a site that tracks filibustering. Director of Sunlight Labs Clay Johnson was celebrated amongst other open source innovators at yesterday’s Google O’Reilly Open Source Awards.Tim O’Reilly said, “An invention has to make sense in the world it finishes in, not in the world it started.” As new security risks take shape and new data sets become vital, governments need to consider open source solutions in their quest to provide better citizen-facing services. If you’d like to contribute to government open source projects, check out Apps for America 2 and Open Source for America.
Typhoon Kammuri accelerates, gains strength en route to PH John Lloyd Cruz a dashing guest at Vhong Navarro’s wedding BI on alert for illegally deployed OFWs to Iraq Anthony became one of the most prolific scorers in NBA history by playing mostly isolation ball, but coach Billy Donovan has asked him to become more of a catch-and-shoot scorer. It worked in this one — the 33-year-old forward made 10 of 15 shots overall and shot 4 of 6 on 3-pointers in one of his best performances of the season.“Once you accept something, regardless of what it is, you become comfortable with it,” he said. “I think you start putting your all into it and you start working on that role and on that acceptance and it’s becomes fun. I think right now, I accepted that role early in December and the game is starting to become fun again. Fun for me and fun for us as a team.”FEATURED STORIESSPORTSWATCH: Drones light up sky in final leg of SEA Games torch runSPORTSLillard, Anthony lead Blazers over ThunderSPORTSMalditas save PH from shutoutSteven Adams had 21 points and 10 rebounds and Russell Westbrook added 19 points and seven assists for the Thunder, who won their third straight. The Thunder shot 48 percent overall and outrebounded the Lakers 54-30.“They just big-boyed us,” rookie Lakers forward Kyle Kuzma said. “Steven Adams, we couldn’t stop him from getting rebounds today. He was the head of the snake in that department.” The Lakers host the Pacers on Friday.The Thunder play at Cleveland on Saturday. Read Next Whiteside leads Heat to 106-101 win over Bucks Julius Randle scored all 16 of his points in the first half for the Lakers.The Thunder led 60-54 at halftime behind 16 points from Anthony and 14 from Adams. Westbrook had just two points until scoring eight in the final three minutes of the second quarter.Oklahoma City started strong in the second half. A 3-pointer by George bumped the lead to 11, and a 3-point play by Westbrook midway through the quarter pushed the margin to 14.Westbrook got Corey Brewer off balance with multiple crossover dribbles before blowing by him for a layup that gave the Thunder an 86-70 lead. A 3-pointer by Anthony made it 91-70 and forced the Lakers to call timeout late in the third quarter. The Thunder controlled the game the rest of the way.“They just hit shots,” Kuzma said. “We didn’t really defend them too well. They’ve got a lot of good players.”TIP-INSLakers: F Brandon Ingram returned after missing a game with a mild left ankle sprain. He had eight points in 26 minutes. … Shot 55 percent from the field in the first half, but just 47 percent in the game. … Caldwell-Pope scored 10 points in 15 minutes. He was one of two Lakers to score in double figures.Thunder: Boxer Floyd “Money” Mayweather attended the game. … G Andre Roberson returned after missing eight games with left patellar tendinitis. He finished with four points and three steals in 17 minutes.STAT LINESThe Thunder committed just one turnover in the third quarter and outrebounded the Lakers 16-7. Oklahoma City took six more shots than Los Angeles in the period and outscored the Lakers 33-18.QUOTABLEGeorge, on Oklahoma City’s defense: “It always comes down to defense. We got stops. We turned those stops into baskets. When we are scoring, it slows the other team down.”UP NEXT LATEST STORIES Oklahoma City Thunder guard Russell Westbrook, left, reaches for the ball held by Los Angeles Lakers guard Tyler Ennis, right, in the first half of an NBA basketball game in Oklahoma City, Wednesday, Jan. 17, 2018. (AP Photo/Sue Ogrocki)OKLAHOMA CITY — Carmelo Anthony is getting comfortable in his new role.He scored 27 points to help the Oklahoma City Thunder beat the Los Angeles Lakers 114-90 on Wednesday night.ADVERTISEMENT Don’t miss out on the latest news and information. 8th Top Leaders Forum assessed the progress of public-private efforts in building climate and disaster resilient communities Asian shares slide on weak Japan data; US markets closed Sports venues to be ready in time for SEA Games PLAY LIST 00:59Sports venues to be ready in time for SEA Games01:27Filipino athletes get grand send-off ahead of SEA Games00:50Trending Articles01:29Police teams find crossbows, bows in HK university01:35Panelo suggests discounted SEA Games tickets for students02:49Robredo: True leaders perform well despite having ‘uninspiring’ boss02:42PH underwater hockey team aims to make waves in SEA Games01:44Philippines marks anniversary of massacre with calls for justice01:19Fire erupts in Barangay Tatalon in Quezon City Brace for potentially devastating typhoon approaching PH – NDRRMC Kammuri turning to super typhoon less likely but possible — Pagasa Lakers rookie point guard Lonzo Ball sat out his second straight game with a sore left knee. The Lakers are 0-8 when he doesn’t play, and they have scored fewer than 100 points in six of those games.The injury news got worse for the Lakers. Kuzma left with a finger joint sprain and did not return, and forward Kentavious Caldwell-Pope left with a right Achilles tendon strain and did not return.“Just play as a team defensively, just be solid,” Kuzma said. “There’s got to be a lot of team basketball.”Seven of Adams’ rebounds were on the offensive end. The Thunder have gotten used to him bailing them out.“We can take any shot that we want because he will go get it,” Thunder forward Paul George said. “We feel that. Russ feels that, Melo feels that. It puts us in a better rhythm knowing there is a guy that, whether it is a good or bad shot that we take, it’s possible to get an offensive basket anyways by Steven. It allows us to be more aggressive. There is not many guys that physically can match him. He is in a category of his own.”ADVERTISEMENT Do not bring these items in SEA Games venues View comments MOST READ